The composer for my Peep Totter Fly installation at LACE is Wiley Webb. Wiley is a young talent who already has a good body of work available online at http://soundcloud.com/wileywebb. I teach Video Art at Harvard-Westlake School where Wiley is a senior. Last year he asked me if he could get involved with my student filmmakers by providing audio sweetening, sound effects and original scores. I was very impressed with his work and his professsionalism. I was already working with some of my just-graduated students — Nick Lieberman was the assistant director and Gabe Benjamin was the editor — so I asked Wiley to join the team. He put together a beautiful soundtrack — a rich layering of natural sounds, many of which he gathered himself, to accompany each scene. He then added a subtle but powerful layer of tones derived from a recording session with musical artist Ananda using her voice and instruments like a harmonium, frame drum and singing bowl. I put together this video documentation for Wiley to show off his music (although the final version that I went with is a little different than this – more natural less human-generated sounds). The sound is an important aspect of the installation. It causes the video to become mesmerizing (even for me who’s seen it a million times)! But to really experience it you need to go to LACE at 6522 Hollywood Blvd., Los Angeles, CA 90028.

Peep Totter Fly was commissioned by LACE and is part of Los Angeles Goes Live: Performance Art in Southern California 1970-1983, September 27, 2011 – January 29, 2012, which is part of the Getty initiative Pacific Standard Time: Art in LA 1945-1980. For more info go to http://www.pacificstandardtime.org/.

– Cheri Gaulke

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